That Floating Excrement Was Far Too Symbolic! It's the Television Letdowns of the Year.
As we consider the television offerings of the recent year, a handful of series stand out not for their excellence, but for their notable failures. From cringe-inducing sequels to confusingly bad docuseries, here are the programmes that left us scratching our heads or just reaching for the remote.
And Just Like That
How to start with this divisive follow-up? Plagued with dreadful scripts, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to justify its existence. Briefly, as the final season started, it seemed as if it had at last hit its stride. Then came an installment centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the last season. It concluded on a bum note; the lingering shot of Miranda’s toilet flooded with poo was just way too symbolic. Still, fans certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t let out a small sob?
All’s Fair
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was practically the least of this show's issues. The recipient of a very rare no-star assessment, it was hard to know where to begin enumerating the flaws. The hilariously wooden dialogue? The tedious glorification of affluence and consumption? The seemingly wilful procession of tropes? Performances so bad they felt borderline malicious? Suffice it to say “all of the above” and forget about this show again. Except, a new season has been ordered, so we’re likely going to have to.
AKA Charlie Sheen
Given the legal troubles, abuse claims and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this multi-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to suffer proximity with this charismatic but dismissive narcissist.
The Supercomputer Drama
Naturally we understood it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.
MobLand
Shady figures meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
Actually, that is unfair on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing dialects. But there were many other problems. Mainly that it was just really dull; a conflict over narcotics territory between various London picaresques which felt a bit basic.
The Meghan Markle Series
Considering the degree to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into twee lifestyle as intentional statements. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for evening drinks with ideas of grandeur; a parade of snoozing dogs, humming beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All underpinned by vast, largely undeserved wealth. Ugh.
Victoria Beckham
There are obviously fascinating things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for some reason, this three-part series chose not to explore them. Instead, the viewing was like consuming a sales brochure. She obviously has every right to resent what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey non-event of a series.
The Inheritance
It had the potential to be the next big hit – except even camper, with a glamorous star playing dead and a well-known personality overseeing her inheritance. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s still too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a programme that was trying way too hard to live up to something far greater than it.
The Lena Dunham Romcom
How do you follow a show that defined a generation? The pressure was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity friends involved felt icky.
The Sketch Show Return
Not good enough to be ‘patchy’.
Given the smart recruitment of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have remained in there a while longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lurching from strangely breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.
The Maths Genius Thriller
We love the star … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a discovery that could ruin society? Nope! This international thriller about secret services targeting – and killing off – intellectuals frankly got more farcical by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality notorious for explicit escapades as she undertook her biggest challenge yet. What on earth would possess her? What we craved was far greater examination of her true psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to haul her son away from the queue. What we got was disturbing imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.