Devouring This Year's Christmas Films: The Good, The Bad and The So-Bad-It's-Good.

It is the season to lounge on the sofa and devour a packet of mince pies in front of a great film, a awful feature, or one that’s so bad it’s good.

As always, a batch of latest holiday movies strives to join part of our holiday traditions—maybe even finding a spot alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (no arguments).

Thus, in a helpful attempt to distinguish the gems from the coal, and to get into the festive feeling, I marathoned as many fresh holiday releases as possible in a single day.

First Up: The Jonas Brothers' Holiday Flick

Starting, ideally, on a high. This release is the only 2025 entry on a well-known aggregator's list of the best 100 festive features of all time.

The Jonas Brothers are stuck in the UK after wrapping up their global concert series and must get home for Christmas. Their efforts are thwarted by an villainous Saint Nick, who breaks into song to state they won’t get home until they “find their brotherly magic.”

The banter between the squabbling siblings is amusing even for the uninitiated, while fans will certainly notice lots of easter eggs as they attempt to get back using every mode of travel possible.

It’s a journey of epic proportions.

It’s not a timeless masterpiece, but is superb for devotees and a good start to the day.

Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.

Late Morning: Tinsel Town

Famous performer Kiefer Sutherland has been cast as a Hollywood star roped into a pantomime.

“A panto-what?” asks Sutherland’s “temperamental” and older action hero Brad Mack, who has hit a rough patch and whose manager has deceived him into thinking he’s appearing in renowned British drama.

His Aladdin cast-mates inform him he’s playing Buttons. “Absolutely not,” he insists angrily. It's easy to predict their response. Unless you’re ignorant of traditional panto catchphrases.

There are some great jokes, some heartwarming side stories, and the supporting actors is cracking, too.

It’s the kind of movie that would be a bit naff at a different time, but is a lot of fun at Christmas.

Christmas tree rating: 🎄🎄🎄🎄

Mid-Morning: Christmas Karma

An actor pops up at the beginning of this film, too, insulting someone for the next movie straight. Might this become a new Christmas tradition?

This time, he’s a singing black cab driver who encounters Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The familiar story develops as the miserly Mr Sood is haunted by the ghosts of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This Indian Scrooge is at least different from all the others, but regrettably he’s not very compelling and Nayyar’s performance is flat—a problem when he’s so the focal point.

Holiday verdict: 🎄🎄

12.04pm - Stuffed

There's just enough time for a major broadcaster's Christmas comedy-drama—which stars Guz Khan as a endearingly grumpy man who “doesn’t really do Christmas.”

But after he is awarded an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) talks him into spending the sum on a vacation to Lapland.

There’s just one snag—he learns there was an mix-up with his bonus, which should have been £800, and he has to figure out how to pay back the excess.

Enjoyable but forgettable.

Holiday verdict: 🎄🎄

1.12pm - Champagne Problems

This is one of those Christmas films where the festive trappings are in the backdrop—Christmas is the scene of the film rather than its main point—but it feels cosy and festive all the same.

High-powered businesswoman Sydney (starring Minka Kelly) is assigned to a French chateau to secure an acquisition for a champagne business. En route, she encounters a fellow in a bookshop who offers to show her the holidays in the City of Light.

A commentator recently claimed this is the top new Christmas film of the recent era. That’s a bit of a overstatement, but it is a festive dalliance with a hint of sophistication and gives the obligatory heartwarming sensation.

The scene with a detailed conversation about Die Hard is particularly strong too.

Festive score: 🎄🎄🎄

Mid-Afternoon: Finding Father Christmas

Sixteen-year-old Chris, played by Lenny Rush, continues to believe in Father Christmas, in spite of the efforts of his dad (starring James Buckley) to tell him the truth.

The secret is to be discovered, and Chris ventures forth to find it with the assistance of a panel of well-known figures.

It’s gentle but charming, and good viewing while waiting for Santa to visit.

Festive score: 🎄🎄🎄

A Star-Studded Family Drama

Michelle Pfeiffer is the head of a dysfunctional American family who come back together for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer starts by mentioning Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the unsung heroes of the holidays—moms.”

So that’s what this is, but in reality it’s really a jumble of those aforementioned movies, at least until Pfeiffer’s character finally comes into her own.

Festive score: 🎄🎄

Formulaic Fun

The day’s gone downhill, but thankfully here’s a new addition in the crowded field of predictable, sentimental, cheesy—and strangely compelling—festive fodder.

It’s a tale as old as time: An American woman goes on a quest to a far-off wintery locale and ends up discovering romance.

In this case, Caprice Bourret plays a publisher

Jonathan Nelson
Jonathan Nelson

A digital strategist with over a decade of experience in SEO and content marketing, passionate about data-driven growth.